General Information on Research Supervision
Research supervision is offered by the Institute's academic staff, in collaboration with specialists at another institution where appropriate.
The Institute's research strength lies in its combination of the study of several language fields: French, German, Italian, Spanish and Portuguese. Its academic staff specialise in literature, cultural studies, history of ideas and comparatives studies: the city (especially Berlin, Trieste), borders, the body, psychoanalysis, gender and sexuality, feminism, women's writing, Jewish writing, exile writing, children's literature, etc. Because of its function as a centre for academic events in European culture, the Institute has national and international contacts with researchers in its fields. The Insitute is thus particularly well placed to offer supervision for projects that cross national and disciplinary boundaries.
Projects recently undertaken by research students at the Institute include:
- Reading Clarice Lispector through the work of Toni Morrison and Bessie Head (with the Department of English, Birkbeck and the Department of Portuguese and Brazilian Studies, KCL)
- The cultural re-cycling of Spanish historical women: Juana la Loca and Mariana Pineda
- Memory and the city in the Chilean transition to democracy
- The role of the mid-eighteenth-century German court in the development of the 'ballet d'action'
- The polarization of surface and depth in Heinrich Heine's Buch der Lieder
- Martin Heidegger as a reader of Rilke
- Hölderlin's and Celan's Schizopoetics
- The relationship between Richard Gerstl and Arnold Schönberg
- The generation of '68 and the politics of remembrance
- Stefan Zweig and China
Enquiries about research supervision should be addressed to the Director, Professor Catherine Davies, sending a cv and a research proposal (firstname.lastname@example.org).
Professor Catherine Davies
Professor Davies has published widely on 19th- and 20th-century Spanish and Spanish American literature, history and culture. She specializes in the following fields: women's writing; historical fiction; intellectual history; gender studies; the political essay, and poetry. She is particularly interested in the cultures, histories and literatures of Spain, Galicia, Cuba, Argentina and Colombia. Professor Davies has successfully supervised a large number of PhD theses on, for example: Rosa Chacel, Diamela Eltit, Silvia Galvis, Spanish Romantic literature, Galician women's writing, Cuban crime fiction, African-Cuban poetry, Colombian literature, Women novelists in 20th-century Spain, and Latin American women's Testimonio. She has also examined many PhD theses in the UK and internationally. Her recent co-authored book, South American Independence: Gender, Politics, Text (2006) is on the literature and culture of the Independence period in early 19th-century Spanish America and Spain explored from a gender inflected perspective.
Dr Dominic Glynn
Dr Glynn has wide-ranging research interests, but his main area of scientific enquiry is contemporary French theatre and literature. He has written about the work of writers and directors active in the latter part of the 20th century and early 21st. His book (Re)telling Old Stories honed in on two landmark productions by directors Peter Brook and Ariane Mnouchkine, in order to outline general characteristics of the theatrical field in the 1980s and 1990s. His latest research project addresses the central question of the writer’s standing within French theatre over the last 30 years. The specific objectives of this multi-annual research venture are three-fold. First, to identify the emergence of new authorial voices and to reflect on opportunities available for living writers. Second, to consider the strategies used by writers to promote their work and to establish themselves. Third, to highlight how these strategies relate to the emergence of un- or post-dramatic forms of writing for the stage. Dr Glynn’s expertise in contemporary French theatre and literature has been honed not only by his academic research, but also by working as a dramaturge and translator in France. Moreover, he is the author of a short work of fiction, Lignes de fuite.
Dr Katia Pizzi
Dr Pizzi specializes in modern Italian studies, with particular interest in the literature of the inter-war years. Her books A City in Search of An Author: The Cultural Identity of Trieste (2001) and Trieste: triestinita`, italianita` e male di frontiera (2007) explore cultural identity and memory in Trieste and the north-eastern borders in Italy. Her research further encompasses the European and Futurist avant-garde, especially the relation with machine culture and technology, as well as children’s literature, illustration and comics in the 19th, 20th and 21st centuries. Publications in this domain range from Pinocchio Puppets and Modernity: The Mechanical Body (2011) to numerous articles and chapters on children’s literature and nationalism, the Unification, Antonio Rubino’s illustrations and European comics. Dr Pizzi has supervised doctoral theses on as broad a range of subjects as modern and contemporary Italian writers, the concentration camp Risiera di San Sabba, Pinocchio, fable and myth.
Dr Anne Simon
Dr Simon specializes in German Studies in the mediaeval and early modern periods, with particular reference to the impact of these periods on subsequent eras. Her book The Cult of Saint Katherine of Alexandria in Nuremberg: Saint and a City draws on a wide variety of textual and visual sources to explore interrelated themes: the shaping of urban space through the cult of Saint Katherine, her role in the moulding and advertising patrician identity and alliances through cultural patronage; and patrician use of the saint to showcase the city's political, economic, cultural and religious importance at the heart of the Holy Roman Empire. Her research and publications also encompasses travel literature from all periods; Early Modern women’s letters; the history of the book; didactic literature for women; and the relationship between text and image. Dr Simon has supervised work on a wide range of topics from the Middle Ages to the present, including artistic and cultural patronage; the Reformation; Hans Sachs; travel literature; publishing history; marginal groups; the National Socialist use of the Middle Ages; and Nuremberg’s contemporary self-marketing.
Dr Godela Weiss-Sussex
Dr Weiss-Sussex's main research interests lie in the German culture and literature of the 19th and 20th centuries, particularly in the representation of the city in literature, women's writing and modernism. Her current research project investigates concepts of Jewishness and femininity in the work of German-Jewish women writers in early 20th-century Berlin. It builds on the conference volume 'Not an Essence but a Positioning': German-Jewish Women Writers (1900-1938) (co-edited with Andrea Hammel, 2009). Her other publications include the monograph Metropolitan Chronicles. Georg Hermann’s Berlin Novels, 1897 to 1912 (2001) and the edited volumes Berlin. Kultur und Metropole in den Zwanziger und seit den Neunziger Jahren (2007, with Ulrike Zitzlsperger) and The Cultural Identities of European Cities (2011, with Katia Pizzi). Dr Weiss-Sussex is currently supervising research students in the areas of the culture of the Weimar Republic and post-1945 literature.